Why the fashion industry desperately needs some diversity
CVK
It’s hard to tell from this blog, but believe it or not, I do have interests other than race.
One of those interests happens to be fashion. That’s right, scoff all you want, but I love my Vogue and my Bazaar (sorry, Johnny) and my Lucky and my FashionTribes.com and my Style.com.
Usually the world of fashion is an escape from the race stuff but alas, today the worlds have collided.
I just read this story in The New York Times Magazine titled She’s Like A Rainbow, about the ways in which the cosmetics industry is finally catering to women of color:
In 1900, one in eight Americans was of a race other than Caucasian; in 2000, that ratio is one in four, with significant growth in the Hispanic and Asian populations. The industry is responding with lighter, reflective makeup that is more wearable for everyone — and beauty icons who embody the new mix.
Fair enough. But then it gets bad (bold is mine):
And who better than Kimora Lee Simmons, a flamboyant ex-model with the proud carriage of a Masai warrior and the flirtatious charm of a geisha?
Um… Simmons wasn’t discovered in a remote Kenyan village or an ancient area of Kyoto. She’s from St. Louis, Missouri, for Christ’s sake, that’s about as all-American as you can get. And yet even she has to get the perpetual foreigner/exotic freak of nature treatment.
It reminds me of an article in Womens Wear Daily on June 23rd about Miu Miu’s new ad campaign. The article is no longer up for free viewing, but this is what it said (again, bold is mine):
Meanwhile, Prada has tapped three Asian celebrities for the Miu Miu fall ad campaign —women the company describes as “strong” and “warrior dolls, who simultaneously represent a futuristic vision mixed with the depth and wisdom of ancient custom and culture.” Chinese actress and singer Zhou Xun, Chinese actress Dong Jie and Japanese model Lina Ohta were photographed by Inez Van Lamsweerde and Vinoodh Matadin at the Lapérouse restaurant in Paris, where Miuccia Prada staged her fall show.
Why can’t women of color just be regular human beings? Why do we have to represent warriors or geishas or ancient wisdom?
more after the jump…
It depresses me to no end that non-white women are constantly exoticized and dehumanized and tokenized in this manner.
Of course, a lot of that has to do with the lack of diversity within the fashion industry. It’s still a white, white, white world. Yes, the last few years have seen a surge of Asian design talent (Derek Lam, doo.ri, Peter Som) and there are a handful of African-Americans who have cemented their positions on the scene (Patrick Robinson, Tracey Reese). But they’re the exception to the rule. And don’t get me started on the lack of diversity within the magazine industry. For more on that, click here.
People often think that hiring a diverse staff is about bowing to the altar of “political correctness.” But there’s a practical side to it — it can help you avoid looking spectacularly stupid.
For example, if the copy editor who reviewed that New York Times Magazine article had been at all attuned to racial issues, he/she might have brought up the fact that some might find it a bit um, racist, to compare Kimora Lee Simmons to a member of an indigenous African tribe that performs female circumcision, simply because she’s of part African-American descent.
Another example. You’ve probably heard by now about the massive boycott led by Jay-Z against Louis Roederer Cristal after a spokesperson from the company was quoted in The Economist as saying, “We can’t forbid people from buying it. I’m sure Dom Perignon or Krug would be delighted to have their business.”
If Louis Roederer’s management had been more attuned to the massive influence that hip hop holds over America’s consumers, they might have realized how idiotic a statement like that was. According to this blog from ad agency Fallon:
While it is difficult to assess the hip-hop influence on Louis Roederer’s bottomline, consider that in a 2004 article the makers of Courvoisier were said to have experienced a 30% spike in sales following the first references of the liquor. It was “the largest increase the 300-year-old brand had experienced since Napoleon III named it the “official supplier to the Imperial Court.”
Claire Coates, a spokeswoman for the Cognac National Interprofessional Bureau, says the hip-hop influence helped American sales reach more than 40 million bottles last year, worth $1 billion. Young blacks accounted for 75 percent of those sales.
A final example. If Marie Claire’s editorial staff was a little more conscious, they might realize how asinine it is to talk about multiculturalism by running an article like “What’s In Your Purse?” — asking 5 women who live in different countries around the world to say what’s in their handbag. And of course, the Brazilian woman just happens to carry around an extra thong or two. (I’m paraphrasing, but this is a real article that I read in the magazine sometime last year.)
If the fashion industry were a little more diverse, it might realize that Asian and black and Latina women are actual human beings who also buy clothes. We’re not just jungle savages or coy geishas or sultry nymphomaniacs you can use as props in your ads.

Almost Girl » Blog Archive » Race, Class and Fashion: Or I Am Going To Get In So Much Trouble on 11 Jul 2006 at 4:42 pm
[…] Sigh………………I recently got an email from fellow blogger and fan of Almost Girl Carmen Van Kerckhove who blogs at Mixed Media Watch about race issues and diversity about a piece in the NYTS called She’s Like a Rainbow on racism in fashion called Why Fashion Desperately Needs Some Diversity […]
Mixed Media Watch - tracking media representations of mixed people on 12 Jul 2006 at 5:46 am
[…] I blogged on Friday about the ridiculous ways in which the fashion industry exoticizes and thereby dehumanizes women of color (see original post here), citing as examples a New York Times fashion writer who compared Kimora Lee Simmons to Masai warrior and geisha, and the way a Prada spokesperson described the all-Asian cast in the new Miu Miu campaign as “warrior dolls.” […]
real men are not » Blog Archive » 1-and-2-and-1-and-2 and heel-toe, heel-toe: i’m a vitriol spewin’ angry race junkie! on 12 Jul 2006 at 7:37 am
[…] I was disheartened to read a post on Almost Girl who responded to a post over at Mixed Media Watch written by Carmen. Carmen’s post is about racism in the fashion business and it’s a great read that gathers and comments on a lot of different aspects/bits/news-pieces of the fashion biz as of late. When Kimora Lee-Simmons is referred to as a “Masai warrior,” I don’t know how you can sit there and tell me that that’s not fucked up. It’s also important to note that despite Carmen’s in-depth post that talks about an array of race/skin color issues in fashion that are not all one-and-the-same, Almost Girl’s over-arching umbrella response is basically this: […]
Boas Blog » Blog Archive » Kimora Lee Simmons, Maasai Warrior on 14 Jul 2006 at 2:00 pm
[…] “Um… Simmons wasn’t discovered in a remote Kenyan village or an ancient area of Kyoto”, writes Van Kerkhove, “She’s from St. Louis, Missouri, for Christ’s sake”. Van Kerkhove ends by writing “If the fashion industry were a little more diverse, it might realize that Asian and black and Latina women are actual human beings who also buy clothes. We’re not just jungle savages or coy geishas or sultry nymphomaniacs you can use as props in your ads.” […]
Mixed Media Watch - tracking media representations of mixed people on 17 Jul 2006 at 10:30 am
[…] RANT The coded ways people talk about race without appearing to talk about race is the subject of Carmen’s rant today. For more on this topic, check out Ally Work’s post with excerpts from Uprooting Racism: How White People Can Work for Racial Justice by Paul Kivel. To see the correspondence that sparked this rant, see here, here, here and here. […]
ATR 32 - July 17, 2006 - Voicemail 206-203-3983 - addictedtorace@gmail.com at Addicted to Race on 05 Aug 2006 at 11:08 am
[…] RANT The coded ways people talk about race without appearing to talk about race is the subject of Carmen’s rant today. For more on this topic, check out Ally Work’s post with excerpts from Uprooting Racism: How White People Can Work for Racial Justice by Paul Kivel. To see the correspondence that sparked this rant, see here, here, here and here. […]
August 2006 New Demographic Newsletter at New Demographic - an anti-racism training company on 24 Sep 2006 at 5:32 pm
[…] Carmen comments on an article about the cosmetic industry and it spins into an interesting debate about the cross-section of race and fashion. […]